One
of my favorite moments of the Academy Awards broadcast each year, though bittersweet,
is the “memorial reel” of those of distinction in the film industry—household
name, or not—who have passed away during the last 12 months.
But you can bet that I’ll be watching this Sunday with even more interest, if that’s possible—and I hope you will be, too.
But you can bet that I’ll be watching this Sunday with even more interest, if that’s possible—and I hope you will be, too.
I hope you recall when I wrote of the passing of CharlesWashburn last April 13 when he succumbed to kidney failure. That’s his full name, but for the old gang at Desilu
Studios from 1967-69 he’d be better known as “Charlie Star Trek”—a take-off on
the way he answered the phone onstage in his role as an assistant director.
I
felt met Charlie just six years ago now, while working on a 20th
anniversary timeline for The Next
Generation for the old startrek.com—but
I had long wanted to track him down for my TNG
Companion book for his AD memories from two
generations, after I realized he was one of the “old guard” Gene had first
assembled for TNG who had worked on
the original series.
See,
efficient and quietly polite Charlie Washburn was a true pioneer in the
industry: he landed in Hollywood in 1967 from his native Memphis, Tenn., on
scholarship for the Director’s Guild trainee program—and soon became the first
African-American DGA trainee graduate in history. In that tumultuous time of social change, the fact that
Charlie went on to become the first black full-time 2nd A.D. in TV
as well when he finished just adds to the luster. And the fact that a big chunk
of this occurred during classic Star Trek’s
second and third seasons (one as trainee, most of the next as 2nd AD)—well,
that’s worthy of a trophy any day.
“When I started at Desilu, there were only three black
employees on the whole lot,” Charlie told me once: “Nichelle Nichols, myself,
and the guy who had the food truck—who closed it up after lunch and then shined
shoes.” If anything can put Gene Rodenberry’s original creation smack in the
middle of the times from whence it came, that
was it.
He
went on to many more film and TV
production credits, of course, like the Bill Cosby Show, Vega$, Batman, and The Six Million Dollar Man.
Over his long career Charlie
worked with the likes of Diana Ross and Sydney Poitier, and even did a little
acting with Clint Eastwood in Dirty Harry,
to name a few.
At
his passing I wrote that
piece in his memory here, and included a couple
of photos, including a recent shot I’d taken myself. Many fans here and
elsewhere have thanked me for preserving his story, but—like so many other
“little” tales of Star Trek yet to be recorded or told—it’s one I was thrilled
to share, even if in a moment of passing.
Flash
forward 10 months: It was only two weeks ago that the unit compiling the
memorial reel wrote me to say they had been looking for Charlie items, found my
blog, and wondered if I had more photos to share. Did I! We got them in touch
with his grateful family, as well, who were thrilled and honored to get the
news and share even more pics from his career, in and out of Star Trek. As of
Tuesday, I was told it all was a “lock” in the final edit.
It's only fitting—and hurray for Charlie— when you recall that the Academy omitted our beloved Westerns bad-guy star DeForest Kelley from the memorial reel in 2000—and did the same with Jimmy Doohan in 2006, then "revisited" him a year later to make up for it.
It's only fitting—and hurray for Charlie— when you recall that the Academy omitted our beloved Westerns bad-guy star DeForest Kelley from the memorial reel in 2000—and did the same with Jimmy Doohan in 2006, then "revisited" him a year later to make up for it.
Charlie
was a bit of a pack rat, but that was because up until the end he filled his
days still keeping busy researching and pitching scripts, knowing that some of
his historical and unique angles would catch fire with some producer. They never
did, but they should have.
As
if turns out, they won’t use any of Charlie’s Star Trek shots for his moment in the limelight—makes sense, being
the Oscars and not the Emmies of TV—but will use instead a brief clip he
assistant-directed from 1972’s Lady Sings
the Blues starring Diana Ross.
That—plus
my portrait of him at his office desk just a year before he died. I was stunned
to hear that news.
So be watching with me tonight, will you, as the honor roll of Hollywood takes their final bow. It will only be a couple seconds, but to bid a fond farewell to a good friend in such an arena—and to have had a small hand in making it happen, with a visual to boot—is a “memorial” I will treasure forever.
And now, when you see his name flash by in the “TOS” credits those last two seasons—or even when you hear Scotty say “Washburn has a report” during “The Doomsday Machine”—I hope you’ll smile and think of what an unassuming and talented pioneer Charlie truly was.
He
must have been. He’s on the Oscar reel!
This column ran on the startrek.com home page on Saturday, but we have added here one new on-set photo, and the mention of De and Jimmy's past history with the Academy memorial.
This column ran on the startrek.com home page on Saturday, but we have added here one new on-set photo, and the mention of De and Jimmy's past history with the Academy memorial.
1 comment:
Very cool.
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