From the fan-film guidelines to Rihanna, and Beyond — My take on all those Trek headlines, in one fell swoop

 
Wow. I picked the wrong week to go off-the-grid into bad wi-fi back home in Soonerland...!

I have so much to get done with "5-0 Fever" con summer and the Trek tour bearing down, plus a new On Speaker archival CD edition to get out ... and a nice website redesign for Trekland, finally, and Portal 47 both in the works...

But I have to say a few things about the crazy going down in Trekland the last few days—starting with the fan film guidelines came out the day I traveled to SoonerCon. (Of course. Oh, and the reaction.)
 
So take an extra 4.7 minutes and I'll wrap it all up for now in one subspace blast and say...

REALLY, Trekland? So much hate and trolling and boycotting...and, right NOW?

Take a breath and step back a sec. Let's put it on the main viewer, shall we?

It's July, 2016. We have a Star Trek feature film that is not only looking more like Star Trek to the hardcore than its two priors... but an exciting episodic series under an award-winning Trek vet with a mix of both Trek alumni and newer voices ...on a platform that will not be ruled by ratings numbers or even note-popping censors ... and, in Rihanna's "Sledgehammer," a Bond-like music hit and video mix from an actual fangirl superstar that will cross generations, continents and media to bring all-new eyeballs to all things movie-Trek and start the pipeline of fresh cadets and warriors and drones all over again.

Rihanna's "Sledgehammer" video w alt-Enterprise: Anyone else see a "The Doomsday Machine" homage here?

PLUS an awesome 50th anniversary that *is* living up to far more than just party hype—with major conventions around the globe, concerts and museum /science tours and the return of the 1960s original 11-footer Big E to its rightful place of inspiring honor in the Smithsonian, complete with a highly researched paint and detail restoration. I just missed seeing the 1701 in 1976, saw it in 1986, was disappointed in 1992... and can't wait to glimpse her return to glory in a couple weeks, right before Shore Leave.

And this is all grabbing mainstream media attention ...smack in the middle of the Big Bang Theory Era. That's what they used to call "synergy."

How people can be poking holes in all that positive, franchise-refreshing force for good is just beyond me. Really. But hey, don't misunderstand: I'm not saying go vanilla—I'm just saying go smart.

What I really refuse to do is get too sucked into the time and negativity sink over the Axanar lawsuit and all the tangent spinoffs from it—while still avoiding any "deer in the headlights" blindsiding.  While you might be feeling a bit down that the Golden Age of Fan Films seems to be over, let me just suggest that it might simply be ...evolving. For I remember all the prior times "Paramount" was decried by fans— from the marketing study and boycott over Spock's death threatened for The Wrath of Khan, to the upset over the "new" upstart TNG without Kirk/Spock/McCoy... and the yell over every new iteration of series to come. And somehow, it all came out in the end just fine. I even hear Star Trek AND its fandom hung around and pressed on.

Look, my low-key friend John van Citters of CBS licensing is now an unlikely Internet star front-and-center over the "fan film guidelines" (thanks to Jordan Hoffman's new official podcast Engage)—but that's the same JVC who used to point out to me years ago, at the clamor for embracing such "rules," how "a Lucasfilms model of 5-minute festival entries would never fly with Trek fans so let's just leave it in the gray area to avoid getting those lawyers involved"--the guys who care less about promotion and brand-building, and more about fiduciary duty and legal precedent. As is their oath. 

That's how I know what a huge leap these guidelines were, for the corporate machinery to agree to as much as they did—even as, to some fans, that 15/30-minute limit may seem restrictive...which is inevitable. There will be a bit of customizing in reaction, on a case-by-case basis ... but look, guys: For nearly two years, I've been worried. I mean, I've been soooo proud to have acted in, and remain a part of the think thank, for Continues; I appeared in New Voyages early on, and have supported Starbase Studios back home in OKC plus any other project that asked for it, on principal.  And yet, sadly, the boom does seem unsustainable in some ways: Today's zooming crowdfunding and temptations mean it was increasingly likely this ever-more-overloaded plane was going to have a rough landing on the choppy sea of expectations sometime— and becoming more apparent every month to many of us.


And face it: As I've said for a couple years now, I was also expecting a lot of the fan-film fire to go out—by fan producers, if not backers and attention spans in general—once a Trek series got going again, sucking all the air out of the room with new canon content to follow and fathom. That's right around the corner, now.

Question is, when and where and how rough would that landing be, who'd take charge in the crisis (if anyone), and who would get hurt in the crash? And would the "owner" CBS/Paramount get blamed, no matter what?

The post-guidelines world will not be this way forever—just ask the website owners who freely post scene clip frames today, unlike in 1996 when C&D's by Paramount went out as frame-grabbing exploded ... or the "official" editors like me four years later who could not mention actors' non-Trek crossover projects in depth—until we could. (Professor X in a Trek mag, anyone?) Or the idea of limiting later-generation Trek cast and crew to only licensed conventions (ca 2001).

The truth is, things in any pop culture franchise "poppish" enough to be alive are always the edgiest on the cutting edge—the fun frontier where no attorneys or rights-protectors have gone before. Until everyone does go there, at least, and things settle down....and then start up again in another paradigm. That's just the world we live it. It's unsettled, but it's ever-fresh: And it's the price you pay for having an incredibly attractive, thought-provoking little space show that keeps attracting new fans, new iterations, new business ...and refuses to die after 50 years.

The other truth is this: For all the meme meltdowns online past and present, fan film fandom... con-going regulars  ....hell, all Internet Trek fandom... are just a drop in the bucket among all the armchair fans out there. You know: the folks who watch the shows, buy the books and toys, and raise their kids with Trek?

And now... a boycott? Really? Aside from the basic math, consider the timing.

Because Vulcan's Forge was never like this: We are FINALLY emerging from wandering the Trek desert of the last 12 years, and have now a transition time from what *was* to what *is*—whether it's fan film parameters or a hit music/movie video or a for-pay streaming platform in the fast-changing media landscape. Same as 1979, 1982, 1987, 2001 ...and 2006.

Thank the Prophets it's happened again. It means we're still alive... and that a 100th anniversary Trektennial in 2066 is a pretty sure bet.

Oh—and beyond our selfish fun? Star Trek remains a good bet for a wracked world that could really use some hope and intelligent futurism in its free time right about now. 

Just like in 1966.

Thoughts on "Go Beyond" night—and all it conjured up

Doyle Zhang, modern Trek fan: From
Shanghai, China, fan since ST 09 but now
loves all Prime Trek, won trivia, knew Dr. Trek!

It's been a week since Paramount's Star Trek Beyond Fan Night at the lot. A lot of friends and their news sites covered it pretty thoroughly in word and pictures (see vid links below), and the second, "that's more like it" trailer has been pretty well dissected. (That Other Story from the night has blown up, hot and cold, too.) But here's a few of my personal thoughts...and some pics...

The bottom line is this: If Paramount needed to catapult a catch-up offense in this game of promotion and expectations and "buzz" with a hail-mary pass on a hurry-up offense ... this was a huge score. Both in terms of the event, and of course the movie—not just a trailer, but two full scenes of exclusive footage for the 500 or so fans on hand—and a pass for two to the outdoor-IMAX world premiere at Comic-Con San Diego on July 20, plus a studio street naming for Leonard Nimoy in which his family, the Beyond notables, and all fans on hand took part in a toast and mass photo. How do you top that for feel-good?

Zach Quinto leads castmates, JJ, Justin, Adam Savage,
Nimoy family, and 500 fans in a toast to Leonard—
and the unveiling of a namesake street (right) in front of 
old Desilu Stages 9-10—today's Paramount 31-32

500 fans on Stage 31, to start—and a few of them were actually not streaming or live-tweeting for social media.

It was even crowd-managed well—mostly. I mean, we'd wondered what was gonna fill up four hours; some were even wondering aloud if we'd get a draft look at the whole film.

The last 100+ of this line (left) never got in

Holding the event on Stages 31 and 32—or, in old Desilu terms, Stages 9 and 10, storied home to TOS itself—was a master stroke. But there was a major downside, unbeknownst to those inside: Some 100+ ticketed fans who were in line on time were not allowed in over fire marshal capacity concerns—an overreach probably based on the fact that the normal amount of no-shows an event planner counts on does not apply to rabid Trekfans hungry for a local event in Hollywoodland. But plenty of them were pissed—and were promised at least their own world premiere pass for Comic-Con. We'll follow up and see.

Chris, Zach and Karl in Q&A with fans

This was also, I realized as Friday had drawn near, the first big feel-good Trek hoopla on the Paramount lot in a decade—that's a generation, in employee years. I heard there was a lot of excitement and buzz on the lot, where almost no one goes back to the 90s/Aughts era of constant licensing summits and affiliate station confabs in the cause of Star Trek promo and biz.

I have to admit I was a bit distracted: So many friends from the LA fan, media and fan media worlds were here—from  my "+1", longtime fan propmaker and The Con of Wrath associate producer/donor Rusty Harrell to the @Trekkie Girls from the UK (at left, with longtime Paramount secueity guard Steve D.). And then of course with my own ticket giveaway winners, there was a lot of hosting to do.

But I also was on the lookout for strangers—if any Trek fan can be called that. Over the past year, even with this third alt-verse movie's ups and downs getting off the launchpad, I've  had a gut feeling that film in new hands might actually find its Trek roots and vibe in a way that will have a broader old-fan appeal. I've also become very focused on getting out of my own bubble, my own Internet bubble, and meeting up with those fans who are solely more recent JJ-era fans, or those who embrace the alt-verse with no grumbling.
 
That's why I loved doing a piece for Star Trek Magazine on fan reactions: I was determined to talk with fans I didn't already know! And boy, did I: from China and Malaysia and all over the US, as it turns out, were three that night. In fact, one young lady won the stunt version of Jaylah's staff from STB as the only one in the room with her hand up (besides me, apparently) for my buddy Scott Mantz' (at left, apparently in the Andorian Sector) and his trivia on Edith Keeler's social work house—and it turns out Doyle Zhang (at very top)  had flown in from Shanghai for the event (and was a big Dr. Trek fan, to boot!?).... so again, an amazing night. Look for comments from her and five other fans I spoke with (that's me working, at far right!)  in the Titan Star Trek Beyond movie special issue coming in mere weeks!

So, I yeah—I did miss out on any real hobnobbing with Stars and Names. My head was into hosting and working, as I pointed out the next day in that actual snapshot.

The otherwise nondescript teleprompter on the back wall

But if the hard-cores had a highlight, though, it had to be the Interweb meltdown following impromptu but carefully worded "announcement" by producer JJ Abrams and especially director Justin Lin, coming from that bootstrap celebration of fan passion, that the CBS/Paramount Axanar lawsuit would soon "go away". Their careful wording left lots of wiggle room for interpretation as to final details, but it's obvious they are two guys who'd like the air to be as cleared as possible when their bright shiny movie opens. I made it a point to look over at that moment to see the back-wall teleprompter — and it sure looked  frozen to me, though others have sworn the lawsuit question was indeed scripted in the scroll.

In any case, a lot in the past week has already been thrown back into flux again on this one. We'll see—but that story nearly hijacked the sole focus that Paramount surely wanted this night to have on the Interwebs and TV channels still standing. I'd far rather focus on the new series... and now, even, this new movie.

Chris Pine mingles & poses with fans a bit

Finally... 
Because it all amounted to a pretty happy crowd by night's end, no matter the fandom roots or outlook, as far as I could tell. As my gut had hoped and a recent longform piece on Justin Lin reveals, the new flick's director is an old Trek fanboy from way back—and coupled with his fixer mentality and ability to work fast and furious under fire, the STB scenes we saw hit all the right notes and, in the end, just felt right.

How many news outlets reported on CBS star Stephen
Colbert's special message to the crowd, spoken as a Trek fan?

No, not a secret clue—just still handy in the studio sign shop

1000 of these special numbered TMP homage posters
were printed for the gift swag bag.

How many newbies didn't catch John & Bjo Trimble?

When I first saw ST09 and especially STID, my brain's inner thoughts first turned to "what will I say publicly?" so as to put an honest, upbeat public face on this new paradigm format I was still a bit queasy about—and knowing many fans would look to me for a reaction.

But no such worry here. Maybe it's just serendipity that with Bryan Fuller's bunch of new CBS Trek episodes in the works and apparently Prime-set (no confirmed word yet, though), I could just mentally relax about this feature film—no pressure at being the sole rep of Gene's canon filmic universe any longer, no matter its fate.


Maybe so. But it's moot now: The trailer, the behind-the-scenes reels...and especially the 12-minute-plus piece we were privy to I'm sure you've read about elsewhere by now, keyed by a wonderfully right-on Urban/Pine-McCoy/Kirk moment of reflection... Well, I no longer had to wonder what I'd say about it publicly.

My gut instantly said, "Now this movie I want to see."

And I didn't seem to be alone.

Here's that trailer again ... 




...and a recap of the night from Paramount (sans any Axanar moments) ...
.



...and a full one-camer view of the Q&A, plus Scott's trivia:





New fan, bored fan, or just curious how much Trek you don't even know you don't know? Check out PORTAL 47—the monthly 8-point backstage pass based on my 20+ years of memories, archives and crew contacts from the front row of Trekland....live and online, right to your center seat no matter where it is!  Like a mini-con all year long—taking you where no savvy fan has gone before.

Awesome snapshot captures moi and many at Beyond Fan Day event

More thoughts and images to come on this... But I just had to post this now:

With over 500 people squeezed in to the ST Beyond "Fan Day" hoopla Friday night, this was an amazing moment caught by the event photog—and then as the one frame chosen for the press kit: Click to enlarge and see so many friends and colleagues caught in the shot! And all of them playing...

While I am hard at work (lower right, interviewing fan). Of course!

(Look for the results of my labors, barely slipped in on deadline, in the next official Star Trek Magazine from Titan UK/US.)

Bring on the movie fans!—and this ST Beyond event

Bless me, but I'm actually excited for Friday. 

After this long fallow decade of Trek... after two flashy yet brief film trips to the alt-Trek they created... with an actual, short-season Prime episode run coming as flagship of the new CBS All-Access ... and the excitement it has spawned running far more than the movie's—the one with a troubled start and practically no promotion so far...

Bless me, but I'm actually excited for this Star Trek Beyond Fan Event and Trailer #2 Premiere Friday night on the Paramount lot, led by director Justin Lin (left) and more headline cast/crew names TBA soon. Sorry, it's going to feel a bit "local" in the turnout, you far-flung fans reading this—unless you were among a handful to win a paid trip from Paramount to see it. (Or, of course, catch it on Facebook Live streaming.)

But even without that "radical" access ... it's literally going where no on-lot, live Trek movie promo event has gone before–especially for the public. Far more than just the trailer and talkers, I hear talk of some really cool displays—so we'll see!  "Star Trek: The Temporary Experience" is as welcome as any right now.

All of us will be eager to finally see what this jump-start buzz machine will actually jump-start among fans, their social media, and even hard-core media. That's the catch-up strategy, and it's already starting up this week.

But I also can't wait to meet and hear from the alt-movie fans, for once—if indeed a lot of them get in the gates Friday. I don't know that they always break through the "established" circles of fandom that tend to circle me... but I am so ready to gauge their reactions and feelings about what is unveiled this night. I really, really hope to finally meetup a lot of the fanbase who've come to Trek only since 2009, via the big-screen entry point.

With time not on the side of print media, I'll be writing a piece for Star Trek Magazine about not so much the event but the variety of fan feelings that night about both it and the movie. 

Look, as this unusual decade has played out with Trek in flux, my own perspective has finally evolved to understanding that while the "alt-verse" was not my first choice, this an overall well-cast film series has been amazing at pumping in new fans, and grabbing respect in The Town and This Media. It's been the best entry-level drug Star Trek has had in decades.

And if I haven't said it lately, I've said it often on-air: I had been excited to see what Bob Orci was going to bring to the series once left to his own, with JJ Abrams' shifting his gaze to Warsland; I felt for a long time that the JJ veneer on top of any Trek that Bob or anyone has done has been greatly underrealized, and had been eager to see what the final product would be without that veneer. for once. That said, even with its rushed restart after Orci's story was let go, I still have high hopes for the script that fanboy Simon Pegg and partner Doug Jung (right) turned out—and I pay no attention to group think: Lin has directed a far wider range of tales than simply that F&F tag he was stuck with—and he rejuvenated that. (Awesome profile on his life and its affect on his storytelling here.) 

I always hope for the best, and I'm really pulling for these guys. Maybe it's a luxury of optimism, now that we know a weekly return to Prime is due next winter. 

We'll see Friday. 

And I can hardly wait.




UPDATE: per Paramount: "The event will not be live streamed in it’s [sic] entirety. Buzzfeed Entertainment will be live streaming a portion of the event through their Facebook page. "

LAST CHANCE tickets for BEYOND fan event May 20!

You've heard all about it ... and likely seen the official, now-closed contest for giveaway tickets... to the big May 20 fan event and Trailer #2 preview hosted by director Justin Lin and cast for the third "alt-verse" Trek film BEYOND, due in theaters July 22.

You've even likely seen the other ticket giveaways from other sites, blogs and podcasts. Did you miss out?

If so, here's your LAST CHANCE... from Trekland and Portal 47:

WIN one of FIVE pairs of tickets to this 7 p.m. event right on the lot of Paramout Pictures in Hollywood with Lin and more—NEXT FRIDAY.  I'll be there, too! 

How? It's simple: Just email me your answer to this question, to larry@larrynemecek.com:

What is another aspect of the Kirk-era "Prime" universe that you feel should ALSO be a change seen in the current alt-verse Trek feature films? *

Now, alt-verse haters, back off. I mean this all in fun: Let's see how deep YOU can dive on this. And I don't need an essay—short answers are fine.

The first FIVE answers I receive that I judge best (creative, original... you know) will be declared winners, and each win a pair of tickets. 

The brief rules:

—Deadline is midnight Pacific time, THIS Sunday, May 15. Simply email to larry@larrynemecek.com.

—Your full name, along with your email off the entry, is required. You can name your second ticket-mate, or just go for now as a +1. 

—MOST of all, this prize is admission for two for this one Friday evening event only—no dream trips, sorry. If you are not IN Los Angeles already that evening or plan to get there yourself if you win, then these won't be much good to you stuck on Rigel VII or Tellar Prime.

Once winners are turned in to Paramount, the studio will get in contact about any further information, guidelines, etc.

BTW, here's how that official Paramount release described the night:

The one-time only special event, taking place at the historic Paramount Pictures studio lot, will include the premiere of the newest Star Trek Beyond trailer, an exclusive first-look of never before seen footage from the upcoming film, a Q&A with Lin and the cast and crew, special guests appearances, and other surprises. The Q&A will be streamed via Facebook Live.

And hey—I'll collect the five winners (and maybe some runners-up?) and post them next week. We'll have to grab pics of our Trekland/ PORTAL 47 winners that night at the event, too, of course.



*ie, Random or not—in the alt-verse, Vulcan is gone, Amanda is dead and George Kirk died early; Kirk was born in space, Chekov was born four years earlier, and the Enterprise and most all tech is vastly more advanced than their Prime equivalent at the same time due to the  leapfrogging info downloaded off the century-later Narada. SO—what's an aspect of the Prime timeline that you WISH was changed in the alt?

CBS/Paramount v Axanar? Some broad thoughts

So, everyone has been buzzing about the joint CBS/Paramount lawsuit filed Dec. 29 against Alec Peters and the "Axanar Works" "fan film" crowdfunded movie. There's been no similar action made against any other fan film that we have heard of—not Star Trek Continues, Farragut, Renegades or New Voyages/Phase II, at least. All of whom, and several more, I've been happy to help promote in the name of a passion fix for fans over this decade-long fallow time for pro Trek—ever since the "gray area" for them to exist as no-income projects was hashed out by New Voyages back in 2004.

But no, this legal action is specific. 

I'm not going to wade into the mushrooming detail points or the back-and-forth here—that's been all over the Interwebs and, five days on, cooler heads are starting to prevail...at least in public comments and posts. Still, there are issues: Some point to the lawsuit as the answer to a threat perceived by the corporate rightsholders re: the scope or quality of Axanar as crossing the line (at least as has been promised)—but the legal issues, if that broad, would point to shutting down everyone. Some guess this is merely the first salvo against the biggest budget of fan films, and that either the owners enforce their property or they lose it—no middle ground. I hope there's no later, broader action—but, as I have always suspected, this is definitely not a typical mass Cease & Desist or broad-brush campaign (this legal action with outside attorneys is reportedly a second step from the owners after sending Axanar an earlier C&D, despite some direct contact). This is a step up: We've already seen the post-"Viacom divorce" split franchise parents actually act together for once in the lawsuit filing, making the "series or movie?" question moot on this. We'll just have to see where this goes.

I hope it goes quickly.... but as corporations, CBS and Paramount will be notoriously slow to offer any more details that would amount to "fighting it in the press"—although there have been follow-up statements. So we are going to be reduced to reading between the lines, and retconning for past clues and quotes, and a mostly one-sided "he said/they didn't" ... so far. The Intertubes were pretty hot the first day... and there are obviously a *ton* of Axanar donors and supporters out there who are not taking kindly to the action. But I have to know this is not 1996, and the big boxes are not blind to that blowback and the potential impact on fandom—and mainstream PR buzz— with a film and series enroute (especially the latter). Thus, the stakes go higher.  There were quick catcalls against big bad CBS, and hoots over the modern nature of franchise ownership vs. fans served after 50 years ... but within a couple days even some online observers started to look at both sides: the immediate hashtag #IStandWithAxanar has now been met with #IStandWithCBS a couple days later... and a host of memes that do not see the production as a martyr, in part in reaction to varied takes on Axanar's public business plan online. And beyond all that, don't make the mistake of thinking that all the world—even all fandom—hangs out on Facebook and blogs 24/7.


As observers, it's also a time to be mindful of who's words we are reading: Who are legitimate journalists versus wannabe bloggers on this, as the "media reports" come out. But it sure has gotten fandom talking—even the mainstream and trade media. And as my buddy John Champion has Facebooked after New Year's Day:  "Congratulations to the 87% of people I follow who have all become experts in the intricacies of federal copyright law in the last four days!"


There's a maxim I learned real early in Hollywood and the Trek business for whenever you try to push the envelope: Just don't do anything to make anyone say "no." A second would be: Don't make anyone ask their lawyer. The fan films exist at all due to the tangle of the legal "divorce" agreements, Paramount and CBS as Hollywood union/guild signatories, etc. … and yet simultaneously their acknowledged obvious value in the pop-culture conversation, especially in a fallow, non-series time. (FREE PROMO! How many tentpole-wannabes would kill for that?)

This is the last way anyone wanted to kick off the big 50th Trek anniversary year, with a movie and streaming series both on the way for summer and then spring—no matter what you may think of them now, sight unseen. So let's hope this gets settled quickly, quietly, and with as little damage to either fandom creativity or the corporate brand as possible.

I've said for a long time that the coming of new Trek weekly adventures, especially, may be what takes a lot of the air out of the fan-film balloon of the last decade, just from the lack of newly diverted attention and dollars among the masses—without "CBS & Para" having done a thing. It's just human nature... even by fans.

I do know one thing. That filing and the frou-frou sure put me behind on my writing during the mid-holiday "dead week."

And you can bet this will be a deep-dive topic at our Portal 47 Ask Dr. Trek Roundtable in January!

Star Trek Beyond's machine finally peeps—for charity!

I was just saying on Facebook & the Twits how this has been the quietest Star Trek
movie
launch ever, especially of the Social Media age.

Perhaps it was just to get beyond a no-show amid the noise of San Diego Comic-Con (for STB, anyway)... because this popped up today.

Good on you, Paramount/Bad Robot, and entire cast. (Looks like the bridge made it to Vancouver, anyway. Maybe with a little less plexi, hmmm?)

And Make a Wish, always one of Gene's and Majel's fave causes, is in the mix, too:

 

And yes... stay tuned: with a few weeks to breathe, here, I WILL attack my own backlog of recent and new vids to post before Vegas Khaaann. Really.

20 years ago: When EXACTLY did Voyager premiere?

VGR Premiere Program

Well, that 's a misleading headline—of course, for most of the world, we all know that Voyager premiered with its pilot "Caretaker" on Monday, Jan. 16, 1995—as the ballyhooed flagship of the newly birthed United Paramount Network. As such, for the first time since the original series, as a "network show" its airdate would be on a uniform date and time, unlike the scattered "week of" airdates of syndicated TNG and DS9. (Mostly).

But six days earlier, Jan. 10, saw a special studio premiere at the on-lot Paramount Theater, complete with some press and a celebrity guest to kick off not only the first network Star Trek since TOS, but the first to be led by a woman.

In special remarks beforehand, co-creators Rick Berman, Michael Piller (at left) and Jeri Taylor all spoke about their feelings on the occasion of this newest Trek, as did star Kate Mulgrew—who then introduced an equally historic figure from the real space universe—Dr. Sally Ride, America's first female astronaut, who had flown twice on the shuttle during the 1980s, and who since has sadly passed away of pancreatic cancer far too soon, in 2012.

As a symbol of bonding between historic women of the real and fictional universe, Kate presented her that night with an actual Voyager combadge, making her an official member of Voyager's crew and with the hardware so that Ride could "beam up to the ship any time" she wished. We carried the event in Communicator #100.

And with those words, after a small press posing event, the Paramount Theater darkened while cast, crew, studio honchos, guest and press all saw "Caretaker" for the first time. Pilots and premiere episodes always hold such promise and hope, unaware how succeeding seasons just might unspool, or for how long... but everyone that night was a-marvel at, truth be told, how it was seemingly the best Star Trek pilot yet for character conflict, potential drama, scope and visual effects.

Reverse of VGR premiere program

On a personal note, we had barely been in L.A. for five months, and the prospect of present for a front-row seat to watch a new Trek series launch was exhilarating with its fresh-faced, fandom-naive cast (well, all but for boyhood Trek fan Tim Russ, who knew best of all exactly what he was getting into.) Thus you can imagine my chagrin when all my photography—taken on 35mm Kodachrome slides in the pre-digital age—was mostly ruined thanks to a new Burbank neighborhood photo lab that used old chemicals, and threw off the color of almost all my photos taken that night. (The top two are among the rare pics salvaged). I never did THAT again—but I've been heartbroken ever since that I did not have my shots to archive, from an event not exactly as mangy with photogs as you'd expect.

Along with those, enjoy the premiere program card I scanned here—and no, those are not printed signatures, and no, it is not going in the Trekland Trunk any time soon!

Happy 95th, A.C! You were great in the Oscars' memorial

One good thing about Facebook is that birthday reminder function—and last Saturday, up popped A.C. Lyles on mine. He would have been 95.

It was a great reminder that I had meant to regale you all after he rightfully turned up in the Oscars' memorial reel (right) ... after I let his actual passing last Sept. 27 get by without getting wistful about A.C., this living legend of Paramount and yet another piece of the Treklander tapestry—if not an unlikely one.

“A.C.”—no one ever called him Andrew Craddock or Junior—never worked on any Star Trek per se, but as a former theater usher boy-turned-producer emeritus and goodwill ambassador for Paramount, you can bet he overlapped Star Trek in all kinds of ways.  For one thing, his last office for decades had been in the Hart Building, where all the spinoff Star Trek writers and assistants over the years were officed—including Gene Roddenberry himself. More on that later…

What’s more, A.C. was a publicist in the postwar days at the studio when among others he helped promote one young Jackson Deforest Kelley as the studio’s latest contract player—and later stood up as his best man when De and Caroline got married in 1945.

A.C. must have been good at it—he was also best man to another actor you may recall: Ronald Reagan and wife Nancy, in 1952. That’s why, along with roles as the unofficial or official Hollywood liaison to Washington under four presidents, of course it’s A.C. who’s guiding The Gipper during his post-presidential tour of the Next Generation set in this iconic series of pics (right), during the shoot of season finale “Redemption” on April 18, 1991 (with Michael Piller (left), Patrick Stewart and Rick Berman).

 
Yep, A.C. was Paramount’s ambassador to every event where regaling was in order, happy or sad—and “regale” is the verb that best comes to mind when you have that many decades of stories you can recount first-hand—or perhaps stretch a bit.  I saw him both crack jokes or roast raw about honorees at Pacific Pioneer Broadcasters award luncheons since 2007 (at left, meeting student PPB visitors in Sept. 2011) ; Mike Westmore asked him to speak at the dedication of the Westmore family’s Hollywood Walk of Fame star in 2008 (below), and he did the honors for De Kelley at his old friend’s memorial program on the studio lot in 1999.

In fact, when I talked to A.C. for our De Kelley memorial issue for Communicator, the old softie confided he was shocked when De, whom he knew to be very ill with his stomach cancer at the time, just had to get dressed up and make it to the lot for A.C.’s 80th birthday party in 1998 — thankfully recorded in this snapshot (right). It was to be De’s last public appearance before his death just eight months later. 

Indeed, everyone eventually got a visit to A.C.'s fourth-floor Hart enclave, where among the sights were posters of his own produced movies AND a hand-crank silent-era camera used on Paramount’s landmark silent film Wings, the very first Best Movie Oscar winner from 1927—and the movie that enraptured young A.C. into his cinematic infatuation back home in Jacksoniville, Fla.  The most striking element of his office decore, though, were the dozens of framed, red-matted 8x10s of his friends in the biz from the Forties to the Aughts that lined the walls.

Who knows how many visitors he invited in for a photo with him before the massive wall o’pix… but it took until a random lot visit I made in June 2011, when something just told me I should check in on A.C. and say hi, before I took my turn in his chair. Something must have told me I’d better do it that day, for while I saw him later at Pacific Pioneer Broadcast luncheons and even helped introduce him to students there once or twice… I’d have no idea that office visit would be the last time I’d ever see him on the lot.

And even then, as he had for years—well after her five seasons on Voyager were up—A.C. always ended our visits with “And give your lovely wife a kiss hello for me, too.”

For the charm of A.C. was far more than knowing him as a spellbinding talker and a living Hollywood memory wall. Anyone and everyone who worked on the lot at Paramount knew A.C., because he made it a point every day to introduce himself to any face he did not recognize, no matter how low or how high on the totem pole it might appear to be sitting. And that new face, in turn, quickly learned several points about A.C. from colleagues—or the man himself:

—The fact that he knew everyone "in town," and had since Edison invented film… and had a story or two about them ALL;

—That he drove a gleaming, cream-colored '62 Thunderbird convertible, always smartly parked in the producer’s lot for all to admire;

—That he was the most dapper dresser you ever saw, every time you saw him, no matter where—made even sharper still against his eternal SoCal tennis tan;

—And that everyone was his friend. Especially the ladies.  Even tourists on the studio tour (right, in 2008), whom he loved to regale with impromptu stories when he happened to spot a group on the main promenade. Especially the ladies.

In fact, for the Star Trek writers—and especially their mostly female assistants—A.C.’s “good morning” and “good evening” look-in as he passed their open doors en route to the Hart Building’s tiny elevator were a daily rite of work. Especially so when his cologne tended to pre-announce his presence a couple of minutes beforehand!

And when A.C. stopped you, or tangented off with a typical “That reminds me of the time Ronald Coleman…”  … you listened. And tried to will yourself to etch it into memory.

Paramount hosted a celebration in that memory, to that memory, right on the studio lot Nov. 11 (left). The day was done up right: many of those legendary red-matted photos from A.C.'s were brought over to the back wall of the Paramount Theater lobby, his friends and colleagues over the decades spilling out to the lawn and some good eats afterward. Thankfully, Paramount has been doing us all a favor in recent years, and had set A.C. down and walked him all over the lot to record hours of his memories and tales on film—and at his memorial we were treated to parts of it.

My own thoughts were drawn, mistily, to that afternoon—could it already be 14 years now?—when they’d done the same thing for De… and now here, like A.C. that day, were others on stage to speak and laugh and share their awe of this icon’s wonderful life. Heck, that last photo of A.C. and De together was snapped in this same lobby as well.

They ended A.C.'s program with that sneak peek at a big chunk of his memory tales on film—where we all instantly realized that the top speaker of the day was, of course, the ol’ story spinner himself. A.C. was still the best show of them all.

And why not? It’s the old Hollywood maxim:

With some blockbusters, you just can't make a sequel.




All photos except Regan set visit tour  and De-A.C. 1999 are the author's; copyright and use reserved.